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Misc. Notes, These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection. Purchase. Scores. Motet Notes. Orlando Gibbons: “Almighty and Everlasting God”. Orlando Gibbons ( – ) is a British contemporary of Heinrich Schütz. He is one of the. Almighty and everlasting God. composer. Orlando Gibbons (). author of text. Anonymous – liturgical. Collect for the third Sunday after Epiphany,

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Almighty and Everlasting God, with a text from the Anglican collect for the third Sunday after Epiphany, shows both Gibbons ‘ contrapuntal fluency and the text-sensitivity he learned from contemporary English tod.

Drinking Hanging Out In Love. Though Orlando Gibbons was principally employed as one of the organists to the English Chapel Royal, he is far better known almlghty for his compositions for the English church choir. Music By Orlando Gibbons. MusicXML source file is in compressed. Sexy Trippy All Moods. First and Franklin Street Presbyterian Church.

Almighty and Everlasting God

This genre took the place of the Latin motet as an independent sacred composition for choir alone. The Choir of King’s College Cambridge: Please enable JavaScript in your browser to use the site fully. Navigation menu Personal tools Log in Request account. Choral gibbosn Organ Music. Gibbons stands in a proud and flourishing line of English church composers: Music For The Festive Year.


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Retrieved from ” http: Romantic Evening Sex All Themes. A new everlastinh insistent point of imitation highlights the manifold nature of “all our dangers and necessities.

Eferlasting text Almighty and everlasting God, mercifully look upon our infirmities, and in all our dangers and necessities stretch forth thy right hand to help and defend us, through Christ our Lord.

A Millenium of Music in Westminster Abbey.

Alleluia, Song of Gladness. The opening is broadly imitative, as if to evoke the expansiveness of God’s power in its counterpoint; Gibbons sets the subsequent plea that He “mercifully look upon our iniquities” to a more compact, contrapuntally more intense passage.

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The anthem proceeds in five sections, corresponding to the breaks in text; each is articulated by a cadence, a change in evdrlasting, and a new musical motive. Almighty and Everlasting God Composer: Privacy policy About ChoralWiki Disclaimers. Edward Tambling submitted Collect for the Third Sunday after Epiphany Number of voices: Share on facebook twitter tumblr. Rafael Ornes submitted Orlando Gibbons Source of text: Christ Church Cambridge Evensong Choir.

No less accomplished, however, are several of his more modest four- and five-voiced anthems, including the anthem Almighty and Everlasting God, which remains a “standard” for the Anglican Church. Like his contemporaries, Gibbons wrote for the church full Services; several Verse anthems that juxtapose soloists, choirs, and often instruments; and a number of so-called “full” anthems.

Gibbons O – Almighty and everlasting God

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Rod Mather submitted